Showing posts with label Our Noise: The Story of Merge Records. Show all posts
Showing posts with label Our Noise: The Story of Merge Records. Show all posts

Nineteen Books

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Our Noise : The Story of Merge Records by John Cook with Mac McCaughan and Laura Ballance, Music, 2009 : 9.2


This one deserves a bit of a review. One thing to keep in mind regarding my ratings: As you might suspect, my grades are obviously skewed towards my interests. This is one of the highest ratings I've lobbed thus far, but I certainly wouldn't put this up there with a lot of the great fiction I've read over the past few years. The reason for the high mark is how closely this book hit home.

Merge Records has always been one of my favorite labels. They signed Richard Buckner, arguably one of the best songwriter of the past 15 years, yet someone who likely doesn't eclipse 2,500 in overall sales per record, and they signed him when his minimal popularity was already fading. They have also put out some of the best records of the past 15 years, most notably 69 Love Songs, Girls Can Tell and Funeral. But most importantly, Mac and Laura at Merge affirmed why I decided to pursue a career in music from the outset. They are undoubtedly in it for the right reasons. They release music that they love, often times knowing that the music won't sell. But they just can't help themselves. When something dives deep, they need to be the conduit to get it out there. This is what music was about prior to the post-Nirvana world, but has been lost in many corners of an industry scratching to keep their inflated expense accounts and overnight platinum records.

Over the course of 13 years in music, I searched for such a home time and again. I found such a feeling in one company and after a near three-year run at said company, it was heartbreaking when it came to a close. But now 20 years in, Merge Records has made it, and they've done it with class, passion, spirit, honesty and most importantly, taste. This book takes you inside that world. From the years on the road as Superchunk to the explosion that was the release of the Arcade Fire's first record, we're let inside this incredibly exciting yet challenging world of an independent label. Thank you to the folks at Merge for doing what they do.

Thinking

1 comments
  • This Merge book is thus far the most personally satisfying book I've read in ages. Every story and line has me giddy, and man I hate the word giddy. Reading about the beginnings, Jeff Mangum's love for wiffle ball and Stephin Merritt's crazy thinking is just heaven to me. This is the stuff I live for.
  • Hearing of the demise of Rhino Records is unbelievably sad. Rhino is one of the few major label subsidiaries that still puts out excellent music.
  • It's also tough to read about the continued demise of last.fm. This has been my favorite digital music site for the past five years and it just appears that CBS was not the right fit. Almost all of the folks who built the company have jumped ship.
  • I really want to see this.
  • This is the first year where I've completely lost interest in football. I'm now a one sport jackass.
  • I have Sundazed on my mind. Oh my, do I.
  • The first two songs on the next Thao record are very great.
  • Tomorrow I head East for a few weeks and then I hope to head to Central America for a bunch of days (leaning towards Guatemala). I would say that my posts will be infrequent, but I highly doubt that will happen.

The First Two Chapters of "Our Noise: The Story of Merge Records"

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I can't recall the last time I enjoyed the first 50 pages of a book this much. Despite having little or no connection to what was going (aside from my old love for Pier Platters), I almost feel a part of this.

Some classic quotes:

"I suggested a Doug Sahm song or something for us to cover. And Mac said, 'I don't quite think that's the direction we're going with this, Laura. Here's our new song 'Smoking Hooch with the Flume Dude.'" (Laura Cantrell)

"We had a band called Dust Buster, in which the main instrument was a dust buster. It was, like, high concept." (Jim Wilbur)

"I met Mac one night at a party at my house, when he was literally rifling through my records. And I had this Buzzcocks record, this weird import, that he hadn't seen. That was our first conversation." (Glenn Boothe)

"Steve kept saying my leads were like the guy from REO Speedwagon, which was intended as an insult. But I secretly took a small amount of pride in that, because I was a big REO Speedwagon fan when I was twelve." (Mac McCaughan)

"When we got to Boston we were blown away that we got $300! Between 18 people! We were just cold-calling people saying, "You know, we've got a three-band bill. We have a 7-inch." (Jim Wilbur)

Full review upon completion.